What Still Transmits: Camille Henrot’s Ikebana and the Problem of Translation
This essay examines Camille Henrot’s exhibition Snake Stepping (2019) at Tokyo Opera City Art Gallery as a[…]
Historical Critique and Contemporary Questions in Ho Tzu Nyen’s Work: Reflections on “Voice of Void”
A Review by Saito TsutomuOriginally published in Japanese on note.com Voice of Void by Ho Tzu Nyen[…]
Critical Pastiche: On the Paintings of Asano Miyabi
“Asymmetrical Gazes,” a group exhibition held at aaploit in November 2025, brought together three artists in their[…]
When Payment Systems Become Censors: Mapping the Power Structure of Digital Access
In January 2025, Stripe—one of the world’s largest payment processors—terminated services for Manga Planet, an international manga[…]
Paradoxical Dépaysement
A Review by Tsutomu SaitoOriginally published in Japanese on note.comJuly 27, 2025 The Paradox of Alienation in[…]
Sato Raimu: Redefining Contemporary Sculpture Through Ball-Jointed Dolls
A Revolutionary Voice in Contemporary Art and Body Representation Introduction: At the Crossroads of Tradition and Innovation[…]
Pierre Huyghe: Liminal – A Japanese Perspective
A Review by Saito Tsutomu Originally published in Japanese on note.comTranslated from Japanese with cultural context annotations[…]
The Art History of Beautiful Girls: From Traditional Bijin-ga to Digital Culture
How Japanese visual culture transforms feminine representation from Edo period to contemporary digital environments By Saito TsutomuOriginally[…]