aaploit presents critical writing rooted in contemporary Japanese art practice,
based in Tokyo, Japan

Exhibitions as practice

Exhibitions at aaploit are conceived as practice — moments where ideas are tested through display and continue to unfold beyond a single presentation.

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aaploit is pleased to present “225,000 Carat Diamond,” a solo exhibition by Kumagae Yuna, opening January 16 (Friday) through February
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aaploit is pleased to present “Listening to the Garden / 庭を詠む,” a solo exhibition by Hanzawa Tomomi, from December 5
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A group exhibition by Asano Miyabi, Okoshi Madoka, and Kano Maashu aaploit is pleased to present Asymmetrical Gazes (非対称な視線), a
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Opening Statement aaploit is pleased to present “I Am Probably Not the Right Voice for These Paintings” (私は、これらの絵のよき語り手ではないだろう), a solo
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Exhibition Announcement aaploit is pleased to present “Es weilt im Inneren / It dwells within,” a solo exhibition by Masaki
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Opening Statement aaploit is pleased to present “Rings of Mars” (「MARSの環」), a two-person exhibition featuring painters Akiba Kohei and Osa
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aaploit is pleased to present “Chiasme,” a group exhibition featuring four artists—Ishiguro Hikaru, Ishimatsu Yufu, Tazaki Ari, and Matsuda Nayuko—running
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Exhibition Overview aaploit is pleased to present Mizuki Uematsu’s solo exhibition “Sayuragi (さゆらぎ).” Running from Friday, June 6 to Sunday,
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aaploit is pleased to announce the group exhibition “hyperLOG,” curated by Okoshi Madoka, running from May 9 to May 25,
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Exhibition Overview Contemporary doll art We are pleased to present “still life with innocence,” a solo exhibition by doll artist
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Opening Statement aaploit is pleased to present “Dust in the Teeth of the Comb” (Kushi no Me no Hokori), a
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Opening Statement aaploit is pleased to present “community of,” a solo exhibition by Michimata Aoi from February 7 through February
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